Mercy
Fifth grade, two kids would hold each other’s hands
and the stronger would twist the weaker’s wrist
until he cried Mercy, and even though
I was bigger than the boys whose voices
hadn’t yet cracked, even though I could’ve taken
Vince Biagetti’s skinny arm and twisted
it until he shrieked, I was learning to get hurt
was holy; to cry Mercy was to be
like Christ, who Mrs. McKinley said died
so we could live, and during Lent we knelt
and prayed, Because by your holy cross you
have redeemed the world. In truth, I wanted to be
not like Christ so much as like Mrs. McKinley,
with her kind eyes and soft voice
and beautiful cheekbones; who kept a photograph
from the wedding on her desk: him, looking down
at her and smiling; her, leaning
into his arms, her lips parted in laughter,
and that photograph was a small window
into a life that I could only begin to glimpse,
that seemed more sacred for my not knowing.
And so the week Mrs. McKinley was out sick,
I did not know what she was doing
when I saw her in the supermarket, standing
in front of the glass doors with chrome handles
that opened to shelves of milk, doors like portals
that reflected the store’s fluorescent lights
and waxed linoleum, or why she was wearing
sunglasses, but when I tapped her arm,
and she turned, a deep violet ringed in yellow
spread past the edges of her glasses, eye to temple.
When I asked my mother
what I had done to make her leave like that,
what illness made an eye bruise so badly,
she shook her head and patted
my shoulder and asked what I wanted for dinner.
Mercy, I said, but Vince Biagetti did not let go;
Mercy, I said, but he only tightened
his grip until the pain shot through my wrist
and I screamed, Mercy, and the world went
white with agony, and I heard a voice
from somewhere far off scream, Stop!—
and then he stopped, and released my hand,
and stepped back, his face blank
with shock, and I realized then that the voice
had been my own voice, and Vince Biagetti
held his hands suspended in the air,
as though he had just realized they were his,
as though he didn’t believe himself capable
of doing what he’d already done.